Not surprisingly, TV is just as influenced by Jewish culture in disguise as Movies, and the stream of Second World War films inspired by “real” events and related Holocaust remembrance seems never ending. It is understandable how the average movie and TV watcher still might feel empathic for this type of contrived narratives as they are as well written as they are ill proven*. Continue reading Game of Thrones’ Target Aryans
For anyone familiar with alternative research, it is commonly accepted visual evidence is often doctored and used in media, literature and science. Image-manipulation constitutes an important tool for the Media and State and Military intelligence for misleading the public. When film is analyzed as falsified evidence, it is quite clear we are most attentive to what we see, but sound is altered as well. Continue reading Voice Vices
The Conspiracy Conspiracy (TCC) research is based upon a macro analyses of the conspiracy scene in order to discern the scope of culture produced for the conspiracy theory public alone.
In order to quantify the effort made it is interesting to survey and compare the production of known Truther Content Creators and the network they rely upon for producing content, conduct research and raise debates and topics (or memes). Continue reading TCC spreadsheets
Fakeologist Radio – Episode 211 (Unreal)
3 September 2018 – 1:52 (h:mm)
Interview by Ab Irato
Unreal and Ab discuss the conspiracy con (The Conspiracy Conspiracy).
Audio Download (27 Mo)
“The Action aims at equipping the major stakeholders with robust knowledge and strategies to understand and counter accusations of conspiracy directed against them or others.”
Following close in the footsteps of military and state intelligence, Academia is now targeting Conspiracy Theory as a new form of social and psychological condition that plague and threaten democratic values. The commission for ‘Comparative Analysis of Conspiracy Theories in Europe‘ is ironically financed through the unelected European powerhouse itself, the EU, which makes the double speak and biased angle hard to miss. Continue reading Controlled Academic Opposition
When we look for authentic conspiracy theory research, it should be a warning sign to see coordinated groups perform together in conference settings as even single genuine conspiracy researchers are such a rare commodity. When groups of conspiracy theorists convene together it is therefore highly unlikely we deal with any form of genuine individuals, rather the contrary. It is deception performed live by the intelligence community. Continue reading The Conference Con
“He who tries to protect himself from deception is often cheated, even when most on his guard.”
Titus Maccius Plautus, 254-184 BC
There can be little doubt that there are indeed unknown alliances behind most events we are presented in our modern media dependent society. While the largest portion of the population willingly accept the charade we wrongfully accept as reality, it is nothing less than obvious that the Elite also have made plans for the few rebellious individuals and groups that do not buy the superficial mainstream model carefully crafted by the rich and mighty. Continue reading The Conspiracy Conspiracy
These minds [Conspiracy Theorists] ignore logical discourse and are not actually interested in honest discussion and clear communication, whether they know it or not. The “Conspiracy Theorist” role requires one have an inflated egotistical view of one’s own ideas and accomplishments..
-AA Morris (article)
Anyone who believes terrorism or public assasinations are not isolated acts or caused by single individuals will qualify as ‘conspiracy theorists’ by the dictionnary and from common use of language. We might not like the appellation, but when we interact with society at large, Conspiracy Theorist is clearly what describes our interest in alternative research the best – even if it’s a poor moniker by design. Continue reading Conspiracy Gatekeeping
Ballet is a minefield of Elite Gender Inversion with traditions going back to the Italian renaissance* and later popularized in France by Catherine de Medici (1519-1589) . The dancers were the nobles themselves and Ballet served primarily to demonstrate national wealth and magnificence. Under Louis XIV (1638-1715) Ballet became increasingly popular which led to the foundation of the Royal Dance Academy in Paris 1661 and not much later – the first professional ballet dancing company (1669). Together with the national dance institutions, Ballet became a full time art-form and practiced by trained professional dancers, as today. Continue reading Beautiful Ballet Belly